Don’t Let the Love of Classic B&W Films Die! – Part Two

In 2017 we are looking to the future, and the horizon is bright! One of the wonders of our world is the ability to enjoy the old with the new and share it with future generations. 

This holiday break I was able to share several B&W films with my 22 year old son. This is a yearly tradition in our household.  Not just B&W films, but the classics. I have three children, their ages are spread out (11 to 22) so I only subject them to a few at a time so it isn’t torturous. Surprisingly, while they object at first, they usually get into the movie after the first 30 minutes or so. Some of you may have noticed from my tweets (@AmyJRomine), this year I shared Abbott and Costello with the two younger kids and the Thin Man series with the eldest. 

Liking the idea of revisiting the classics? Check out part one of this post. Here are the last five in a list of 10 B&W films I highly suggest for 2017. Most can be found on Amazon or TCM. These are in no particular order as I love them all. 

Bringing Up Baby – (Cary Grant, Katherine Hepburn) - While trying to secure a

$1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard, Baby. Both a very young Grant and Hepburn captivate with sharp banter and physical comedy rarely replicated in today’s films.

Casablanca – (Humphrey Bogart, Ingrid Bergman) - In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications. We all know this classic love story and B&W is the best version.

The Maltese Falcon (Humphrey Bogart, Mary Astor) - A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette. This signature classic changed the face of noir films for the ages. Do not miss this classic suspense thriller! By the way, did you know the 1941 Maltese Falcon is a remake of a movie from 1931 starring Bebe Daniels and Ricardo Cortez and was originally penned by Dashiell Hammett who also created The Thin Man.

The Little Princess – (Shirley Temple, Richard Greene, Anita Louise) A little girl The Bachelor and the Bobbysoxer, but I have to admit the scene where the Temple  finds her father is tear-jerking and too perfect to resist!

is left by her father in an exclusive seminary for girls, due to her father having to go to Africa with the army. Needless to say you had to expect at least one Shirley Temple film on the list. I was torn between this and

Arsenic and Old Lace – (Cary Grant, Priscilla Lane) - A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family. Hollywood has attempted to remake this classic four times without success.  Frantic, funny and full of delightful physical comedy this once stage play turned movie is one not to be missed!

 So those are the final five of ten. You can see the fist list here. All can be found on Amazon and are shown regularly on Turner Classic Movies (TCM). Also IMDB (the links are used in this blog) usually has a list of places you can purchase and or rent movies. I would love to hear your feedback, suggestions you have for the list!

After completing the list I thought of several more must see B&W Classics including To Kill a Mockingbird and Roman Holiday!

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The Rules of a Romance Novel

I am half way through the final book of The Curse Keepers Series by Denise Grover Swank and I am digging it. It is good so far. Action packed just like I like em. I love it when the characters have to work for their happy ending. 

Did you know, if a book does not have a happy ending is cannot be considered a romance? This is somewhat logical in form, but not all great romances have a happy ending. Look at Casablanca, if it is not a romance how else would you classify it? Or the story of Cleopatra, even Romeo and Juliet, neither of these have a happy ending but are still considered romantic in nature. One of my favorites, Camelot, one of the most romantic stories of all time is not considered a romance because Guinevere winds up in a convent, while Lancelot and Arthur go off to war.

Now if we really want to analyze the structure of modern day romance, let’s talk about LGTB romance. Many times these titles are not even categorized as romance. They are subjugated and broken off into their own little genres, happy ending or not.

Another rule is the “only have eyes for you” scenario, there cannot be another love interest in the story so that eliminates the love triangle.

Another apparent rule, that I was surprised about, is POV, apparently we shouldn’t care what the hero thinks as the POV of the heroine is the focus. Personally I am going to snark at this rule, as I am a reader who likes to know what is going on in the hero’s head. I want to know that he is holding back and why or that he is pining for her. That to me is one of the best parts of a romance novel. What is not said between the two characters and that only the reader knows.

I know, I know, how I dare snub my nose to the romance gods! Well, sorry, I am a reader and a writer. I write what I want to read. Sometimes it includes the “rules” and sometimes it doesn’t.

True love doesn’t always play by the rules, why should I?